I’m slowly recovering from three years of burnout. Resting feels a bit like that maddening smoke alarm chirp — You know the batteries need changing, but you can’t figure out which damn alarm is sounding! Even rest feels strangely effortful — my nervous system translates stillness into threat. I used to tell my trauma clients that chronic restlessness and hypervigilance come from a hyperaroused nervous system, and any sound, interruption, or shift in the environment can register danger. Now, I’m living inside the very thing I taught others.

Yesterday morning, I had a doctor’s appointment. Actually, I’ve had multiple back-to-back medical appointments lately — all the things I’ve been putting off forever and am finally tending to. Not exactly a fun, restful time. The whole ordeal seemed to throw my day off, and I found it impossible to reconnect with my body afterward. So I forced, yes forced my way to the keyboard, and I sat and played for a couple of hours.

I purchased a used Korg D1 digital keyboard last weekend. Yesterday was the first day I played her since then. She’s absurdly heavy and currently occupies half my tiny kitchen. It felt a little heartbreaking to play, as I haven’t touched a piano in a long time. I started learning Human Nature by Michael Jackson and A Groovy Kind of Love by Phil Collins. The chord progressions were fairly easy to pick up.

I’m still waiting for an amp to arrive, since the only audio output right now is via headphones, which makes it difficult to listen closely to songs while figuring out chords. Still, it felt really good to sit at the keyboard again and improvise for a while. I tried not to be too self-critical. Eventually, I settled on learning Merry Christmas, Mr. Lawrence by Ryuichi Sakamoto. I have the sheet music. The piece is full of lush chords, sevenths, ninths, etc., larger than an octave that barely fit beneath my small hands, but I managed. It definitely needs practice; I’ll make a recording once the music feels more embodied.

I first heard Merry Christmas, Mr. Lawrence on the 1985 album, Piano One (Private Music-Japan) in college. The album quickly became a favorite that I listened to repeatedly. You must give it a listen! My favorite piece is The Housewife’s Song. I wasn’t able to find the album on Spotify, but came across it on YouTube, which I’ve linked below. As I write this post coffee in hand, I’m listening to it again. It brings me back to a younger version of myself — that dreamy, distant, always somewhere in the clouds girl.

While my digital keyboard is no baby grand, which I’m sadly trying to sell due to lack of space, it has a surprisingly rich sound for a digi instrument. It’ll have to do for now. I have two medical appointments today, inconveniently planted right in the middle of the freakin’ day, but I’ll find my way back to the keyboard after.

I’m trying to give myself permission to be exactly where I am — to slow down and enjoy playing simply for the sake of playing. It’s so easy for me to slip back into that performance mindset, obsessing over every phrase, nuance, breath, wanting each note polished, perfect. Jeez, it’s really hard not to be a perfectionist…

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