Tag Archives: Music

Quiet Listening

Yesterday was one of those days. One part chaos, one part overwhelm, and before I knew it, frustration gave way to deep sadness. My tarot reading reflected a sense of heaviness before my day even began. I reached for a deck I haven’t worked with in quite some time, one I usually reserve for the autumn season, yet yesterday morning she seemed to call to me. After sitting with the reading for a few minutes, its message became clearer yet I still had a hard time embracing it. She’s an honest deck, one that doesn’t soften the truth, and perhaps I wasn’t quite prepared for what she had to say.

In any case, I moved through the day as usual — morning coffee, quiet ritual, and then the arduous process of setting up my sound equipment to record another mini sound journey for social media. Well… let’s just say things unraveled from there.

After hours of troubleshooting, I think I’ve identified at least part of the problem. I may need a higher quality condenser microphone, along with a much better understanding of audio mixing. The microphone I purchased, after much research and deliberation, is at best mid-range. My sound therapy mentor recommended a far more expensive model, one I probably should have waited and saved for. I finally got everything connected correctly, hit record, cautiously optimistic, and when I played the finished recording back… it sounded awful.

When I record, I have to wear headphones because no sound comes through the speakers directly during the recording process. Through the headphones, everything sounds one way. But once I export the recording as an MP3, it’s a completely different story — louder, filled with static in the background, and completely unlistenable. That the sound itself was louder, however, meant the microphone wasn’t necessarily the problem. More likely, it’s my lack of knowledge around audio mixing.

Ugh. I had convinced myself this would be easy because I’d produced a podcast years ago. Then I remembered something I’d conveniently forgotten — editing those episodes was painstaking work. This is more difficult than producing a podcast by far with my singing bowls strewn all over my tiny space floor and barely enough room to walk without knocking one over!

By late afternoon, I decided to call it quits. Every one of my 18 singing bowls, both crystal and Tibetan, had found its way onto the floor. I tiptoed carefully through my tiny space, mindful not to knock one over. A couple of months ago, I accidentally chipped one of my clear crystal bowls after clipping it as I stood up from the couch! Ouch, the whole set was a major investment.

Instead, I surrendered. I snuck into bed and took a long afternoon nap, something highly uncharacteristic for me. My body had been talking all day. I had simply been too distracted to listen. It wasn’t asking me to solve another damn problem. It was asking for rest.

I’m trying, with great difficulty, to slow down every day. To listen to my body. To trust my intuition. To spend less and less time on social media and to loosen the grip of pressure and expectation that the world seems to demand. It’s a daily practice. Some days it feels nearly impossible.

When I turn inward, I realize that I’m still deeply fatigued. Even small amounts of stress pull me back into the nervous system dysregulation that has shaped so much of my life. How can I invite others into rest if I haven’t fully embraced it myself? There’s no way around that truth. I must first tend to myself.

Yet I still can’t seem to escape the feeling of living inside a pressure cooker. The world is simply too loud. Notifications. Expectations. Constant urgency. Even my new neighbor’s child (one of three), whose daily tantrums spill through the walls, has become another reminder of how desperately I long for quiet.

I can’t escape the world around me. But I can control how I choose to connect with it. I’m still learning new ways to pause, be still, listen deeply, and be at peace with not accomplishing everything I think I should. For years, it’s felt like I’ve carried the weight of the world on my shoulders. These days, I’m seeking something radically different — more quiet, less noise, and the simple practice of being.

It’s a daily commitment, one I fall short of with some frequency. Perhaps that’s the practice.

May your day hold a little less noise, a little more joy, and moments of harmony that remind you to listen inward.


Photo by Kinga Howard on Unsplash

Summertime

What is it about summertime that takes me back to my youth?

The older I get, the more aware I become that there are fewer summers ahead than behind me. There’s a Portuguese word for this feeling: saudade. It describes a deep, melancholic longing for a person, a place, or even a version of yourself that is gone and may never return. It’s the bittersweet ache of being grateful the past existed while quietly mourning that it’s gone.

I can actually feel the word saudade. It’s a sensation that settles somewhere between my heart, my throat, and my belly.

There’s also senescence, but hell, saudade sounds a whole lot sexier 🤣

Summers were uncomfortably hot in the South. I grew up in Bossier City, Louisiana, where heat, humidity, mosquitos, and very large bugs were part of life. Yes, we had a bug zapper hanging from the metal canopy over our backyard patio.

I remember lying on the front lawn during my childhood, staring into an endless blue sky, picking dandelions just to blow their fluffy seeds into the wind. Every once in a while, I’d wander to the ditch behind our neighborhood, catching minnows, crawdads, and toads, all the while hoping my parents didn’t catch me; they strictly forbid going anywhere near the ditch.

Yep. That was childhood in Louisiana.

Summers were also for swimming, of course. I lived in a two-piece 😂 My parents had a pool built in our backyard, and the anticipation of finally being able to jump in felt like waiting for Christmas morning.

Ironically, once it was filled with water, I was terrified to jump in. I clung to the side of the pool until my mom enrolled me in swimming lessons at the local YMCA. How I hated those lessons. Swimming lap after lap felt like torture.

I became a strong swimmer though. You couldn’t keep me out of the water after that. There were countless afternoons and pool parties with my girlfriends, our skin glistening with baby oil as we stretched out in the blazing Louisiana sun for hours. Back then, a tan was the goal. We had no idea we were collecting the sun damage we’d spend decades trying to undo.

Music has always been like a time capsule.

This morning I was listening to Fantasy by Aldo Nova. Some of you may be too young to know who he is, but hearing that song immediately transported me back to my youth. I have a classic rock soul, though I love other genres of music. (Country is probably my least favorite… although I did have a country music phase in the mid-2000s!)

There are a few artists who never fail to stir memories like Blue Öyster Cult, Red Rider, Robert Plant, The Police, Fleetwood Mac, Scorpions, Duran Duran, Adam Ant, Blondie, AC/DC, Night Ranger, Def Leppard, Van Halen, Styx, Eagles, Journey, Rush, Heart, April Wine, and Foreigner. I’m sure I’m forgetting a few, but you get the idea.

Certain songs are like time machines, carrying me back to who I was, where I was, and how I felt. My first heartbreak. Summertime freedom. The quiet, rebellious part of me that wouldn’t fully emerge until years later, after I stopped trying so hard to fit in. I was fortunate to grow up surrounded by unforgettable music, and those songs are like old friends whenever they find their way back to me.

I think certain songs mysteriously call out, wanting to be listened and paid attention to. Perhaps it’s my guides. Perhaps it’s my own intuition gently reminding me to sit with this feeling of saudade. To embrace getting older instead of resisting it.

I’ve lived a life filled with brilliant moments and profoundly painful ones, as we all have. And there’s still a part of me trying to make sense of it all, searching for meaning in the moments that hurt the most.

Until then, I’ll keep listening to the music that nourishes my heart and soul.

I hope you do the same.

Rock on🤘


Piano One

I’m slowly recovering from three years of burnout. Resting feels a bit like that maddening smoke alarm chirp — You know the batteries need changing, but you can’t figure out which damn alarm is sounding! Even rest feels strangely effortful — my nervous system translates stillness into threat. I used to tell my trauma clients that chronic restlessness and hypervigilance come from a hyperaroused nervous system, and any sound, interruption, or shift in the environment can register danger. Now, I’m living inside the very thing I taught others.

Yesterday morning, I had a doctor’s appointment. Actually, I’ve had multiple back-to-back medical appointments lately — all the things I’ve been putting off forever and am finally tending to. Not exactly a fun, restful time. The whole ordeal seemed to throw my day off, and I found it impossible to reconnect with my body afterward. So I forced, yes forced my way to the keyboard, and I sat and played for a couple of hours.

I purchased a used Korg D1 digital keyboard last weekend. Yesterday was the first day I played her since then. She’s absurdly heavy and currently occupies half my tiny kitchen. It felt a little heartbreaking to play, as I haven’t touched a piano in a long time. I started learning Human Nature by Michael Jackson and A Groovy Kind of Love by Phil Collins. The chord progressions were fairly easy to pick up.

I’m still waiting for an amp to arrive, since the only audio output right now is via headphones, which makes it difficult to listen closely to songs while figuring out chords. Still, it felt really good to sit at the keyboard again and improvise for a while. I tried not to be too self-critical. Eventually, I settled on learning Merry Christmas, Mr. Lawrence by Ryuichi Sakamoto. I have the sheet music. The piece is full of lush chords, sevenths, ninths, etc., larger than an octave that barely fit beneath my small hands, but I managed. It definitely needs practice; I’ll make a recording once the music feels more embodied.

I first heard Merry Christmas, Mr. Lawrence on the 1985 album, Piano One (Private Music-Japan) in college. The album quickly became a favorite that I listened to repeatedly. You must give it a listen! My favorite piece is The Housewife’s Song. I wasn’t able to find the album on Spotify, but came across it on YouTube, which I’ve linked below. As I write this post coffee in hand, I’m listening to it again. It brings me back to a younger version of myself — that dreamy, distant, always somewhere in the clouds girl.

While my digital keyboard is no baby grand, which I’m sadly trying to sell due to lack of space, it has a surprisingly rich sound for a digi instrument. It’ll have to do for now. I have two medical appointments today, inconveniently planted right in the middle of the freakin’ day, but I’ll find my way back to the keyboard after.

I’m trying to give myself permission to be exactly where I am — to slow down and enjoy playing simply for the sake of playing. It’s so easy for me to slip back into that performance mindset, obsessing over every phrase, nuance, breath, wanting each note polished, perfect. Jeez, it’s really hard not to be a perfectionist…


Playlist

One of my students recently gifted me Heart and The Carpenters LPs as a parting gift from the university, and I was genuinely moved. One day, we were talking about classic rock bands, and I casually mentioned how much I ❤️ Heart.

Lately, I’ve been completely re-obsessed with them. Bad Animals has been on repeat.

I’ve also been deeply into Madison Cunningham lately. If you haven’t listened to her, you absolutely should. She’s a musical genius and an incredible guitarist. What’s especially remarkable is that she was never formally trained — she learned from her father, who was apparently an exceptional guitarist himself.

Two songs I can’t stop listening to right now: Want You So Bad (Heart) and My Full Name (Cunningham).

I love everything about Want You So Bad — such an underrated and absolutely badass song, in my humble opinion. Ann Wilson’s vocals fully embody the yearning in the song. Soooo good. She and Nancy Wilson are easily two of the greatest women in rock ’n’ roll.

I’m also obsessed with the percussion — that driving 80s synth-rock rhythm by drummer, Denny Carmassi. I’m fascinated by the 8th note high hats, and synths, too. Okay, yeah… I geek out over how songs are constructed!

Have you ever listened to the podcast, Song Exploder? Musicians deconstruct their songs piece by piece and tell the story of how they were made. Brilliant. You can find it on Apple Podcasts and elsewhere.

I love the entire Bad Animals album, but for whatever reason, Want You So Bad keeps pulling me back in. It’s become my fave.

Madison Cunningham’s My Full Name is a piano-driven opening single from her most recent album, Ace. The song sketches the bittersweet, vulnerable journey of navigating heartbreak and self-discovery. Perhaps there’s a theme in the songs I’ve had on repeat lately? LoL!

I genuinely think Cunningham is one of the greatest songwriters today. Her writing is so intricate, layered, technical, and her voice carries a dreamy quality that pulls you in. She’s known to be an indie folk, alternative rock artist with some jazz influence. You just have to listen!

I’ve also found myself revisiting Kalandra lately. I previously posted my favorite song by the group, With You. Based in Oslo, the band formed around Katrine Stenbekk (vocals), Jogeir “Juno” Jensen (guitar), Florian Sommer (bass), and Oskar Johnsen Rydh (drums). Their sound is a mix of atmospheric Nordic folk, alternative pop, and ethereal post-rock, a little reminiscent of AURORA if you’re familiar with her style.

Stenbekk’s voice is so pure — the way she moves into her upper register is truly unreal. There’s something both haunting and cinematic about the band’s music.

I just get lost in music, disappear for hours at a time.

So, what do you have on repeat these days? Would love to know. Drop a comment below!


Put on your headphones and turn up the volume!


Crossroads

I did it. Yesterday, April 17, under the New Moon, I resigned from my job. The New Moon symbolizes fresh beginnings, intention-setting, planting seeds, and quiet reflection. My last day will be May 20, the end of my contract and the close of the semester. A chapter is ending.

I began this role as a university psychotherapist in June 2023, just three days after leaving my ex-husband and moving into a small apartment of my own. In many ways, that job marked the beginning of a new life. But the work proved far more demanding than I had anticipated.

During my time at the university, I came to a quiet but persistent truth: I’ve never really enjoyed being a therapist. I kept waiting for it to get better, but it never did. Instead, the work grew heavier, increasingly draining. And I’m afraid not even the summer, winter, and spring breaks could prevent burnout.

What did light me up was my role as the Asian & Pacific Islander (API) Cultural Center Liaison, work rooted in supporting the mental health and wellbeing of API students. That space felt different — lighter — and the students were an absolute joy to work with.

I believe I’m a good trauma therapist. The starry heavens know I’ve poured years and more money than I care to recount on trainings, books, and a lifetime’s worth of lived experience. It just rings hollow. That may sound harsh. I wish I’d known then what I know now. I can’t reclaim that time, but I can choose what comes next: a slower, simpler, more artful life.

I’m hoping to grow my sound therapy practice, Om Sacred Sound Journeys, and leave room for whatever else wants to emerge. I know music will be part of this next chapter and writing, too. I’m planning on beginning a new book.

My last book never found commercial success. I’ve only just started reading it for the first time since it was published in 2017. I mean, how many times did I reread, reshape, and edit the draft? The story of my first trip to Taiwan to meet my birth family marks one of the most significant chapters of my life. Publishing it wasn’t for nothing. A younger version of me wrote those pages from a very different place. And still, the emotions are just as vivid, from the search to the moment we found our way back to one another.

Earlier this week, the oracle card “to the stars and beyond” surfaced in my (tarot) reading from Rose Bae Tarot’s These Blue Bones, a deck having a moment right now. It felt like both a spark and an affirmation for my decision to resign. Lately, I find myself thinking about mortality, not out of gloom, but clarity. Time shifts as we mature. There’s less time to do what makes you happy. In this season, I get to choose how I live it. Autonomy. Personal sovereignty. Independence. Let me embody this new path, to the stars and beyond.


This song brings me back to my younger self. I’ve been especially nostalgic of late. It may not quite fit this post, but it fits my mood perfectly.

Held by Sound

Have you ever been so moved by a piece of music that it brought you to tears? I have. I still am.

For days, I’ve felt drawn to listen to On the Nature of Daylight by Max Richter. Are you familiar with it? It’s easily one of my favorite contemporary classical works. I love all of Richter’s music, but this piece feels especially transcendent.

I wanted to give it my full attention, and the quiet of this morning felt like the perfect time. I sat with headphones on, hands crossed over my heart, and let the music hold space. I literally shed tears, so completely was I captured by it.

So many thoughts and emotions moved through me that I began listing them in my journal: ecstasy, sorrow, despair, sadness, transcendence, love, intimacy, desire, longing, yearning, hope, bliss, magick, forgiveness, tenderness, tolerance, caress, breath, movement, darkness, light, expression, expansion, transformation, warmth, belief, faith, embrace, connection, grief, loss, truth…

And yet words still feel insufficient to describe this kind of magick.

I kept the piece on repeat as I moved through my morning tarot reading. The first card I drew was Art — Temperance in the Rider–Waite–Smith system — a card of integration and alchemy: making whatever you do a work of art; friendship between mind and heart; rest and activity; light and dark; self and others; approaching life creatively, with an artist’s eye.

It felt deeply aligned with the experience itself — as though the music and the card were speaking the same language.

Music saves and meets me exactly where I am. My first love — and likely my last.

I remember spending hours alone in a tiny practice room at Centenary College (of Louisiana), just me and Beethoven, Bach, Chopin, Debussy, Mozart…There was no fear or judgment there. No pressure to please an audience or play perfectly. Only connection — to the keyboard, to sound, to frequency and vibration. It felt sublime.

In today’s heavy world, music still holds the power to uplift, to ground, and to offer a kind of safe communion unlike anything else.

I recently discovered an artist who was new to me: Yannic Lowack, a German composer. The piece featured below, Leuer, is another composition I’ve completely fallen in love with. He also shared a short preview of an orchestral version — without piano — on Instagram. You can find him on both YouTube and Instagram.

I miss those days of studying music and practicing piano every day. They remind me of who I was — and still am, despite the years away — a musician, drawn to the expressive arts. May the days ahead bring new opportunities to return to the keyboard and reconnect with that musical inheritance!


things inspiring me at the turn of a new year

The turning of a new year feels like a threshold. A liminal space where the old hasn’t fully released and the new is still forming. I’m approaching this year with reverence and a willingness to listen.

I’m inspired by emptiness and pause, by moving slowly enough to feel my breath, my body, and the subtle ways intuition speaks. This season is teaching me that becoming is a spiritual process, not something to force, but something to tend. I often feel like I’m learning things I wish I’d practiced years ago.

Music, art, and tarot are my spiritual anchors. Music is one thing I don’t think I could live without. It connects me to places within that no one else sees, to innocence, curiosity, adventure, and fearlessness. There is a kind of purity in music, something unspoiled by the world. Music brings me back into rhythm when I feel scattered. Art is like a devotional practice, a way of communing with the divine through color, texture, and movement. It allows emotion to alchemize into meaning without needing explanation.

Tarot is my sacred mirror, a language of images and symbols that invite dialogue with my soul. Each card is an invitation to slow down, to notice what is stirring beneath the surface, and to trust my inner wisdom over all the external noise. I’m in love with it.

The rituals I practice tend to be simple yet intentional. Making my morning cup of coffee. Lighting a candle before I begin. Playing music with awareness. Creating without an outcome in mind. Pulling a card and sitting with its message as a form of prayer. These practices ground me in the present moment and remind me that spirituality lives in attention, not performance, and for one who has struggled with crippling performance anxiety, it is an invitation to let go.

This year, I’m choosing devotion over productivity, alignment over striving. I’m honoring rest as sacred and simplicity as a form of truth. I’m learning to recognize the divine in ordinary moments: A familiar melody, light through my window, the quiet companionship of my beloved dachshund, Poppie.

As I step into this new year, I am trying my best to do so with soft faith. Trusting timing, the unseen, and allowing life to unfold as it will. Let me be guided by sound, symbol, and creative spirit, for they are truly the languages through which my soul remembers what it already knows.


Down memory lane. Oh, how I loved classic rock growing up. This playlist stirs up cherished memories, a sense of innocence and curiosity, and the wild, adventurous spirit of those years.

Lotus Summer

Greetings! I’m enjoying the last few days of summer before I head back to work. Tomorrow. I must say, I look forward to Fall and the change of season. Mabon falls on September 22nd, which gives me something to look forward to. At the risk of sounding like a broken record, summer has been immensely restorative; I’ll refer to it as Lotus Summer. Lotus flowers are deeply symbolic in many cultures. Lotuses grow in murky, shallow waters. They rise from the mud without stain, and are therefore viewed as a symbol of purity. Because they return to the water in the evening and open their blooms at the break of day, lotuses represent strength, resilience, and rebirth, as well as transcendence: The lotus symbolizes the human spirit transcending over worldly matter since it blooms from the underworld into the light. I feel, in many ways, like the Lotus.

It’s been a summer of exploring themes around death and rebirth, cycles, beginnings and endings, blooming, rising up from the mud. When last semester ended, I was physically, mentally, and emotionally exhausted. It dawned on me recently how little I accounted for the impact of divorce on my wellbeing. I was functioning on adrenaline those first several months of the divorce proceedings. And when it wore off, I plummeted. I’ve discovered that there’s much literature on the impact of divorce on individuals, how it affects their work lives, relationships, and emotional and physical health. I grossly underestimated my ability to manage work, the loss of my dog and support of my daughter, financial instability, three moves, starting over. I thought I was stronger, better, more capable, more confident. But I sank, and I’m usually a stronger swimmer than that.

It’s now late summer – Rebirth. I am standing, not sinking. The divorce no longer feels like a black hole. There are moments of deep sadness and grief. I’m not sure one ever gets over it completely. That’s just me. A friend of mine, a psychotherapist who divorced years ago, told me to expect a three-year-mucking-through-shit; my sound healing mentor, also divorced, said give it five. I rolled my eyes. How little did I know. It’s year two.

I read recently,

The lessons we learn along our journey and the pains that come along with them are but stages on the wheel of regeneration.

Death Doula Oracle – author & photographer – Theodore Saint & Chris Williams

Indeed. So much gratitude for the time off to recover, to regenerate. Solitude and rest were the medicine, and making the request to change my 12-month contract to academic year may have saved my life. I have spent everyday this summer writing and recently took to collaging my journals. Can’t wait to collage my next. Also into drawing dragons of late. Interestingly, I barely listened to any music; much more preferred silence. The only other time I could not bear to listen to music was after the death of my first dachshund, Peppermint. I’m slowly weaving my way back to some favorite artists and bands from the 80s – that era holds a certain nostalgia in my heart that’s quite comforting. And, I miss my younger self. I’ve shared a few moments of summer inspiration here.

And, on I go. Wishing you all a beautiful day. Stop and marvel at the tiny things that bring you joy and pleasure. May you tend to the soil of YOU!


-Photos above were taken at Laguna Beach, CA, by moi on a venture with a friend.

-Yummy matcha coffee & garden pics taken at Anima Mundi Apothecary in Venice, CA.

-My collaged journal-Summer theme: Death/rebirth/exploring the shadows within.

-Little dragon ouroboros drawing-not yet finished, but I’ll eventually get to it.

-Purchase the Death Doula Oracle cards here. They’re powerful cards for working with themes around transition, transformation, death, endings and are absolutely gorgeous.

Feature Photo by Kristijan Arsov on Unsplash

Summering

Four more weeks of summering. I’ve been preoccupied with the impending return to work and have to remind myself to be here now, enjoy the time I have left on break. Still time to relax and explore. Such a sharp contrast from the previous months.

Orchid Quartet

I went to a Candlelight Concert on The Queen Mary the other night. I’m so glad I did! Female group, Orchid Quartet, performed Metallica. There were some diehard Metallica fans hooping and hollering throughout the concert. I love Metallica too and had a front row seat! It was an intimate, cozy event. I felt called to return to my musical roots. Music, my first love. Probably my last! I regret selling my digital piano, but there is truly no room in my tiny space for something that large. I’ll have to settle for picking up my guitar and ukulele. I’m always on the hunt for new music and inspiring artists.

We were permitted to videorecord the last two numbers. Pieces performed included many of Metallica’s greatest hits, including Enter Sandman, Nothing Else Matters, and Master of Puppets. And they did a lovely cover of Whiskey in the Jar. I liked how the quartet were so interactive with the audience. It was all great fun. I uploaded the video I took of Nothing Else Matters below. It was so much better live, of course. Hope to see more of Orchid Quartet in the future and attend more Candlelight Concerts! I got a groovy t-shirt to support Orchid Quartet and remember what a fun time I had. Enjoy!


Soul Aligned

Good day, one and all! I hope you’re enjoying the summer days. I’m grateful that the weather continues to be mild here. The pink and purple twilights are magical. What I love most about this summer break from university is the freedom in which I can move and breathe at my own pace. Ahhhh, slow, meditative mornings with my cup of coffee. Movies in the evenings. Solitude and ritual. It’s been rejuvenating.

I am in the process of building a sound therapy practice. Starting a new practice is quite scary. I had a private practice for two years, and I know how hard it is to grow a business and make it thrive. I’ve been a board-certified music therapist since 2009 and recently began training in sound therapy utilizing singing bowls and other resonant instruments, chanting, researching the science behind sound medicine. I facilitated some sound therapy groups last semester at the university as well as a number of small drum circles. 

My primary instrument is piano. I studied piano performance in undergrad then years later learned guitar and drumming while studying music therapy, a requirement to obtain certification. I sing, though it’s not my strong suit. I trained in group drum circle facilitation years ago, fell in love with the drum. I miss my piano and playing dearly. Music is clearly my medicine. Interestingly, I have listened to less music than ever before. Silence is like a balm.

The birth of a sound therapy practice is slow work. My hope is to help people along their spiritual and wellness journey, to enhance, to restore, to create an opening for self-discovery and increased spirituality. I’ll keep you posted on my progress.


Photo by petr sidorov on Unsplash

The Magick of Slowness

Hey out there! Hope you’re having a swell summer. The temperature here is not yet sweltering, so I’m enjoying windows open daily. I’ve been on summer break just over a month – it has been glorious. There is a magick in this liminal space, the in-between semesters, that has brought healing and restoration. I am no longer who I was, yet I am not quite who I am to be. Last year was tough, maybe one of the toughest I’ve ever experienced, but it had its life lessons, and I am taking them to heart.

I’ve been savoring slow mornings, slowing down in general. It’s lovely to leisurely sip my morning coffee without rushing. I have not missed disconnecting from others one bit. Journaling, personal study, spirituality have all been life saving. But mostly the magick of slowing down, sweet silence, the echo of presence, noticing each breath have led to divine surrender, wisdom, and liberation. 

Summer break will come to an end, and I will return to work mid-August. The test of wisdom will come in finding divine balance, countering stress and the pace of work with a solid inner spiritual foundation, finding the power within to face each and every challenge. There is this – I have the rest of the month to indulge in solitude and cultivate my inner divine badass.


The video below is of female French trio, Les Itinérantes. I adore them and recently discovered their music. I find this song, Sahèl, to be quite powerful.

“Sahèl” is a composition in Eldali (a language invented by Elodie, one of the vocalists) that invites you to reconnect with “the source,” to rediscover meaning and roots through a connection with the living, the pursuit of authenticity, and the recollection of ancient memories.

“Sahèl anouvel iè,
Vènia assoulèkh na
Sahèl anoukrie biè,
Chakh liè bioun èlia”

The source is calling for you over there
Approach, let yourself be guided
The source roars below
Join its flow if you dare.

the weeping willow

listen to the soughing of
the weeping willow tree
bending gently with the wind,
swaying as she pleases

sallow leaves drift elegantly
velvet twigs of green and brown
sweeping always, bending low
to kiss the earthy ground

she stands with pride, fluidity
a brave, bold soul is she
can stand against the strongest wind
yet give pollen to the bees

let us honor her in stillness,
her beauty give us breath
may she dwell beside the mossy pond
her crown to always bloometh


Dance of the North by Joanne Shenandoah, who was of the Oneida Indian Nation. This song was played during a music therapy conference I attended today. It was played in a training using Guided Imagery & Music, a specific type of music therapy. I fell in love with the song, which inspired this poem.

We had a beautiful weeping willow tree in our backyard when I was a kid. I watched it grow until its crown grew to be beautiful and full. It gave me much joy and wonder over the years.

Photo by Fran on Unsplash